GOTW#2 Night Festival Lates

On Friday August 19 and Saturday August 20, GOTW#2 co-incided with the 2016 Night Festival and with related events held in the  Objectifs courtyard. The exhibition remained open late on both nights and attracted huge crowds.

Alexandra Serrenti captured these audience responses.

_DSC0509_DSC0506_DSC0496.JPG_DSC0501_DSC0492_DSC0490_DSC0488_DSC0485_DSC0483_DSC0482_DSC0480_DSC0479_DSC0475_DSC0467_DSC0450_DSC0448_DSC0444_DSC0435_DSC0429_DSC0427_DSC0423_DSC0419_DSC0417_DSC0415_DSC0411_DSC0404_DSC0400_DSC0392_DSC0390_DSC0375Images: copyright Alexandra Serrenti.

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GOTW#2 Close-ups

IMG_3431 Sarah ChooIMG_3429 Sarah ChooIMG_3427Sarah ChooIMG_3412Zai TangIMG_3411Manu Luksch & Mukul PatelIMG_3400Camilla Greenwell, Joo Choon LinIMG_3398Joo Choon LinIMG_3394Debbie DingIMG_3392Camilla GreenwellIMG_3344Min-Wei TingIMG_3340Min-Wei TingIMG_3330Emma CharlesIMG_3326Emma CharlesIMG_3315Debbie DingIMG_3312Anne Robinson (with Rachel Gomme)IMG_3311Lynn Lu & Tania De RozarioIMG_3309Andy LaceyIMG_3305Daniel KokIMG_3303Daniel KokIMG_3444Joo Choon LinIMG_3435Suzanne de EmmonyIMG_3297Joo Choon LinIMG_3281Shubigi RaoIMG_3273Emma TalbotIMG_3272Emma TalbotIMG_3270Lynn Lu and Tania De Rozario

IMG_3403Shubigi Rao

IMG_3423Gavin Maughfling, Andy Lacey

GOTW#2 Opening Night Shots (2)

IMG_3051IMG_3050IMG_3031IMG_2806IMG_2787IMG_2765IMG_2759IMG_2746IMG_2612IMG_2798IMG_2795IMG_2761IMG_2750IMG_2653Photographs copyright DEMprojects

GOTW#2 Opening Night Shots (1)

WP_20160818_20_19_16_ProIMG_1179IMG_1174DSC_0041DSC_0020DSC_0019 croDSC_0006DSC_0005_DSC0334 cro_DSC0297 cro_DSC0287 cro_DSC0282_DSC0273_DSC0272_DSC0271Photographs copyright: Alexandra Serrenti & DEMprojects

Joo Choon Lin; You Will Die Lulled by the Waves of the Stormy Sea

Joo Choon Lin was unable to attend the artists’ talk on Saturday August 20th, but that morning she sent instead by text a description of her aims and the background to the work:

“I was trying to respond to the first version of the work..instead of printing representations of sea/water..this time I wanted to print water in a more symbolic way… almost like how ancient Egyptians used hieroglyphs or pictograms … abstract languages that are to be decoded … people have been searching for a higher resolution of images or hd or the clearer the better … to represent the ‘lifelike’ nature of reality..but i think the screaming coming from the mouth of the printer and the strikepin that creates an  impact on the paper and those shaking..its unpredictable twist or sabotage of the image-making when hung upside down … is more ‘lifelike’ than a high resolution or hd … the cross symbols that appear everywhere in the works … showing how the characteristics of water will blink and shine when surrounded by any light source … the cross can also be seems as the cross used in exorcism as the printer is hung upside down … Objectifs used to be a church before it was converted into an art gallery.

The initial idea of wanting images of water/ resemblance  of  a waterfall as images are ubiquitous, are everywhere … a response to our mass culture … how easy it is to access images; and people can use them for own use and images are manipulated and compressed to a lower quality, e.g. into gif files..i like the idea of destroying copyright or ownership … people can use images freely like water.”

Joo Choon Lin, Singapore 2016

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